30 January 2026 - Olga Kononenko talked about the workflow behind the Midnight Journey project, explaining how she used layers to build it in 3D, how she used camera settings for the projection, and the tools she used to animate the scene.

29 January 2026 - Forget-Me-Not Studios discussed the origins of 12, Memory Lane, sharing the vision behind the game, the challenges faced during the development, and its approach to depicting Alzheimer's disease.

28 January 2026 - Minh Nguyen talked about how he animated a character combo attack in Maya, aiming for the feel of a classic 2D fighting game, and explained the visual effects used.

28 January 2026 - SIXMOREVODKA Studio has joined us to provide an in-depth breakdown of its ORKEN project, discuss book publishing, and talk about its approach to creative processes.

27 January 2026 - Fabien Metais shared a short breakdown of his first 3D sculpt, a painterly portrait of a girl, showing his workflow in Blender and Substance 3D Painter.

26 January 2026 - Aadil Faruqui talked to us about the Train vs Robot project, discussing setting up a realistic composition, texturing wood, and animating the scene using Maya and Substance 3D Painter.

23 January 2026 - Vitaliy Novart talked about how he created the When the Lights Are On environment, sharing how he did the composition and set up the lighting for each element to evoke a feeling of solitude and serenity in the viewer.

23 January 2026 - Satoshi Takazawa talked about the workflow behind the Rick Owens portrait, explaining how he sculpted the face with ZBrush, textured the wrinkles, skin spots, and veins, and created the coat.

22 January 2026 - Kay Hilman, Co-Founder and Art Director at DOT4, shared how they created a BoursoBank Ad, explaining how they brought the concept to life, how they created the ribbons, and how they did the animation.

22 January 2026 - Alexa Ranzola shared the workflow behind the Viper Cruiser, detailing how she modeled the bike and added details like dust and stickers with the intention of showing how an inanimate object can have personality.