150 Textile Materials Added to Substance Source
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by diegographics@outlook.com
16 hours ago

Wow, that's great. Have to try this out!

Wow beautiful environment. Very thorough and detailed. But I think there are a few images that are not showing up (error?). Is that just me? Interested in seeing those other pictures...

by Admin
2 days ago

Jack. First of all, I want to apologize for offending you. We published this just to show how the tech could be used. We don't actually care about the message. But you do bring up a viable point, that for some people - this might be an issue, so I take this post down.

150 Textile Materials Added to Substance Source
14 April, 2017
News
Substance Source has now reached a number of 1000 materials with the new Textile Collection of 150 scan-based materials, developed with the help of fashion designer Zoé H, with seasonal color variation presets and tweakable parameters. Clothing, sportswear, interior decoration, and upholstery – all you need for your fashion projects. You can also download free samples to experiment with the endless variations possible in each Substance material.

Color is at the heart of fashion, and color associations are critical to the definition of a style. It is the backbone that links the different elements of an outfit. Textile materials have to be flexible in order to adapt to specific processes like the construction of a weave requiring to modify the color of each yarn independently.

In preparing this selection of textiles we asked fashion designer Zoé H. to create a custom color palette for the 2017/2018 season. We assigned colour preset to each material taking into account the possible associations of textiles to give users a starting point for experimentation. Associations within a multi-colored fabric or between several fabrics become easier as the colors were designed to work harmoniously, allowing you to focus only on the other aspects of the fabrics, such as weave size.

Allegorithmic

You can find more information of the new spring collection here

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