CGMA’s 2019 Spring Registration is Open!
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7, Mar — 1, Jun
Krakow PL   27, May — 29, May
London GB   28, May — 31, May
Kyoto JP   1, Jun — 3, Jun
London GB   4, Jun — 6, Jun
Latest comments
by Trilo Byte
7 hours ago

If you rig your character up as a standard SineSpace avatar and getting it working properly, then any clothing purchased (or that you make) in SineSpace should just work properly (if not, file a bug report). If you're rigging up your Daz3D content as a costume replacement (also known as a bypass avatar, since it bypasses the entire avatar, clothing, and attachment system), then you're on your own.

by ariana pham
8 hours ago

play game happy wheels

by Kaji
12 hours ago

Nice article. I would love to know if there is any cloth rigging tutorial or tool/plugin that could solve the typical mesh bleeding issue. For reference, I have issues with getting custom or bought clothes on a custom animated Daz3D Character in Unity. So far, the character looks good and work. The clothes fit in T-Position but once the animation starts, the vertices from the character bleeds through certain parts again and again. I've looked into the bones skin-weights but was not able to see anything to improve there. the problem grows once certain body-morphs alter the character (giving him more weight or muscles)

CGMA’s 2019 Spring Registration is Open!
13 February, 2019

2019 Spring registration is open at CGMA! They’re here to help artists connect with industry professionals and offer arts education that allows you to improve your portfolio without spending hundreds of thousands of dollars. They are a company founded by industry professionals that try to make sure the curriculum they offer consists of the most relevant information possible so artists can enter the industry equipped with the skills they need. This is all a part of their Content Management Initiative (CMI) to bring students lessons that are up to date and align with industry standards.

CGMA is continuously expanding their curriculum, exceeding 90 industry-relevant courses mentored by over 100 renowned studio professionals. All courses are very accessible, reaching over 75 countries. Learn the techniques recruiters are looking for through our one-on-one mentored curriculum and valuable feedback today.

What follows are the courses and programs available for 2019 Spring registration. Contact with the Admissions department to discuss registration or portfolio review requests – either via email at or by phone 1 (800) – 959 – 0316.


  • Expert Training from Industry Professionals
  • Collaborative Virtual Classroom
  • Personalized Expert Feedback and Live Q&A
  • Learn at Any Level, Anywhere
  • One Year Free Access


Advanced Substance for Environment Art with Ben Keeling

In this advanced version of Intro to Substance for Environment Art course, students will learn the context of material creation by importing textures into Unreal Engine 4. Students will learn the process of setting up Master Shaders, including vertex blends and exposing our own parameters to drive interesting effects for our 3D worlds. Students will round up learning how to present and render our final materials and textured assets in interesting and striking ways. Inside Designer and Unreal Engine 4, you will be taught how to create believable realistic materials for all aspects of environment art. Students will start the course by creating a complex organic material for blending in the later weeks. In the second week we will tackle vertex blending, which is a technique used commonly in game production to interpolate between materials on larger surfaces. Students will learn how to create complex Master Shaders, which feed directly into your environments and can be used across multiple projects. We will round up the advanced course by delving into blending multiple Designer graphs directly inside of Substance. Tackling a new material and to complete the course, a new final blend incorporating everything we have learnt across the three weeks. At the end students will render the final output in Marmoset to create professional portfolio images. NOTE: completing the Intro to Substance for Environment Art course before enrolling in this course is strongly recommended.

Animating in Unreal with Bill Buckley

This class serves as a solid introduction to the skills and techniques needed to create a cinematic in Unreal. This course will cover a proper pipeline method used in professional studios to accommodate multiple departments. The students will be walked through the creation of a cinematic starting with planning the shot, animating all associated actors and cameras, exporting from Maya into Unreal, compiling scene in Sequencer, to finally rendering out assets to share with the world.

Learn how to capitalize on your design skills with a unique program dedicated to storytelling, storyboarding, and visual communication.

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