Donald Trump, insulation is a seamless wall with airpockets. Ceilings can be printed using a re-enforcing scaffold for support. Try googling info..
Really awesome work and the tutorial is fantastic. Thanks for sharing.
Absolutely no information about the 4.2 release - was it ever released in September. There is about as much information on trueSKY as there is in any of the so called products that use it. For me this lack of transparency is killing there business and points to fundamental issues with the technology. Google trueSKY in YouTube and you'll hardly get any information at all. For such a ground breaking technology this is very suspicious. Do they not have a marketing team - do they even care? Sounds like a very small company which wishes to remain small and doesn't understand what they can become because with the technology they have they should be targeting a bigger profile, revenue streams and audiance than they have and the lack of foresight here with the Simul management is quite frankly very disapointing. Another 10 years could easily disapear for these guys and they will simply remain a small fish. Very sad.
Grzegorz Baran has recently shared another great photogrammetry guide. The artist has showed the way he created his snow-covered grass with the help of Photoscan, Substance tools, ZBrush, Photoshop and Marmoset.
Another scan but definitely a tricky one. Trying to improve final height map I decided to utilise height map data which usually sucks on seam removal stage by filtering just height detail information (used Equaliser node) and blend it together with bent normal based height map.. theoretically it should give me even better results for game purposes as I eliminate cons and keeping pros from both. Level of additional height details is controlled by blend node. Before I update my tutorial I need to proceed few more tests, as I need to be sure how it affects final results.
Capture itself was a tricky one as snow is very rare in UK and when happens, melts super fast. Usually after few hours there is just wet mud left. Also as I had just few hours window I had just one shot and had to proceed with sun trying to catch me. I failed, sun caught me but equaliser node did great job. Another change I introduced was using remote to speed up capture – it saved about 20-30% usual capture time.
Here goes the breakdown from the artist: