Environment artist Svend Kruse Rønslund talks about the creation of procedural “natural” material in Substance Designer.
I picked mud because I had never made an organic material in Substance Designer, and because I knew it would be a challenge to achieve the amount of detail that a lot of mud has. it was probably one of the major challenges. It’s hard to make a digital texture look like real mud.
So I started out by deciding what kind of mud it will be: is it street mud, is it swamp mud, is it dry or wet? Maybe both.
Then I started to look at A LOT of mud reference. After I’ve done the research I started to build the material in Designer by blending different grunge maps and noises together to get something that kind of looks like mud.
It’s very important that you keep going back and forth between the references to check if the detail is there and that is looks right.
When I was happy with the project I moved on to the next step – adding footsteps, then leaves and roots.
I ran into problems and had to find solutions. If you’re new to Substance Designer and to material building, you’re going to spend a lot of time fixing your mistakes. I think I spent at least 4-5 hours on fixing some mistake that I made on the edges of my footsteps.
For me that can sometimes be one of the hardest things to do. Of course you’ll be able to see it repeat itself when you’ve tiled it 30 times. But let’s say that we’re making a brick wall and we want to tile 3-6 times and we don’t want people to notice it, well try not to have bricks that completely sticks out from the others, try to make everything as even as possible. If you want the brick wall to be damaged try to make the damage even and not just one brick. Another way of hiding it is to break the material up with light, shadows and props in your game engine.
The program itself I think is easy to use and get started with, it has a really nice interface which is easy to navigate around. They have everything you need to get started, some nice grunge maps and cleaver nodes and almost everything is customizable. It can do very simple things and extremely complex things at the same time. Overall it’s a great program to work with.
Keep looking at references, keep going back and forth between your material and the reference. Think about what it’s been through, maybe it’s old rocks that has been sitting in the ground for over a hundred years, maybe they’ve been damaged in the process by objects or people, some are maybe covered in dirt.
It’s important to be honest with yourself. Do you like it? Are you satisfied? Ask a friend what they think? Critique and comment are always useful.
I can’t stress it enough: you should be organized. It can quickly become a mess with all your nodes, so put them into frames and name the frames properly, it can be very helpful the next day when you’ve forgotten half of your nodes.
You can check out Svend’s submission on Substance Share and download it for free to play around in your scenes. He keeps working on this project and updating it in his free time.