Soviet Kitchen in Unreal Engine 4
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46 min ago

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by Matthieu CHOLLET
12 hours ago

Lovely work ! You mentioned "When lighting the scene, I used Light Functions to create the illusion of light passing through clouds, thus lighting the environment unevenly" do you think you could show what is the setup to get such a precise result ?(meaning highlight the area you want?)

by Emanuel
20 hours ago

Amazing art. I'm curious how the rocks manage to be such a natural part of the terrain! It really looks like they have been there for ages.

Soviet Kitchen in Unreal Engine 4
1 February, 2016
Interview

Dmitry Masalcev and Alexander Goryachev started as mod developers and now they create their own scenes using Unreal Engine 4. We talked to them about the process of developing their kitchen, creating materials and lighting.

Introduction

There are only two of us and we are making horror games. It all evolved from creating mods into professional game development. Now we make money on different mobile projects, although we keep making horrors for ourselves. Maybe someone knows about Alchemilla, our first try. You can download and play it for free.

Screen02

© Dmitry Masalcev and Alexander Goryachev, 2016

Scene

Scene is created for future co-op horror, although you won’t find any horror or surrealism elements in these screenshots. Moreover, we changed some materials to get rid of such elements. We also decided to sell content we are creating for the game to step from mobile projects and get more time for developing own projects. That’s how we made our «bright» kitchen, which won’t scare potential buyer. Meantime our own kitchen will be more like something from David Lynch’s Eraserhead.

Screen01

© Dmitry Masalcev and Alexander Goryachev, 2016

Kitchen Design

I’ve seen this scene in my dream; some scenes were also created for Alchemilla. Process is quite simple, I create models, while my colleague is making textures, then we mix everything in Unreal Editor. It’s difficult working without artists because sometimes it leads us to disagreement on different elements, essential for atmosphere. Finally, when all elements are ready, we come to mutual understanding.

Screen05

© Dmitry Masalcev and Alexander Goryachev, 2016

Materials

Collecting references is the first step; as a result we made a collection of different photos of each object and material. These were divided into different groups by types of materials (textile, wood, plastic, etc.), which then led us to creating atlases. Using 3ds Max or Zbrush for each model we made high-poly analogs to create normals, and then materials for each models were drawn with Substance Painter. Finally, and that’s the fastest step, we had to mix everything using Unreal Editor.

How did we create materials? We literally walked around in our flat holding spoon to see reflections under different light. The key to success is a high skill of using Substance Painter, and of texturing by my workmate.

All elements were drawn manually using Substance Painter. Water drops and other details were created with roughness map. If you take some place on your table, make it less rough and emphasize it using normal map, you will get a water drop.

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© Dmitry Masalcev and Alexander Goryachev, 2016

Creating the Lighting

Actually we weren’t able to solve all the problems with lighting. In this scene we have two outside lights and one fake internal point of light. We decided to leave it as it is to save more time for creating horror scene, where right contrast and literate shadows, dynamic by the way, are much more important.

It is hard to say how much time we spent creating the scene, as we started in august and finished it just recently. Considering it wasn’t a full time job, we were making it in the evenings, only for an hour or so. Sometimes one of us could be busy for a week because of other important stuff.

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© Dmitry Masalcev and Alexander Goryachev, 2016

Dmitry Masalcev and Alexander Goryachev

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