Spider-Man: A Deep Dive Into the Look Creation of Manhattan
Events
Subscribe:  iCal  |  Google Calendar
7, Mar — 1, Jun
Raleigh US   16, Apr — 19, Apr
SEATTLE US   19, Apr — 22, Apr
Kharkiv UA   20, Apr — 21, Apr
Los Angeles US   23, Apr — 25, Apr
Latest comments
by Samsun Rock
54 min ago

Thank to the recommend this article. my suggestion is also effective from Change User Account Name in windows 10 operating computer, you must to learn this tutorial.

by Stijn Van Gaal
2 hours ago

I'm using an MSI with a 1070 GPU, which for this was more than enough. For bigger scenes and things like landscape streaming or more complex light bakes I would definitely recommend also looking at the CPU and amount of RAM as well

Cool article, and as an export and meshes preparation tool for Blender/Unreal i would recommend this addon: https://gumroad.com/l/UEBok Many thanks!

Spider-Man: A Deep Dive Into the Look Creation of Manhattan
14 April, 2019
News

Don’t miss a recording of another session on Spider-Man from GDC 2019. This time, Ryan Benno, Brian Mullen, and Matthew McAuliffe will tell you about the way their team set up the entire city of Manhattan.

“For Marvel’s Spider-Man, the goal of creating a vast and lived-in Manhattan was daunting, considering it was five times the size of Insomniac’s previous open-world game, Sunset Overdrive,” states the description. “Focusing on the game’s artistic side, Matt McAuliffe, Brian Mullen and Ryan Benno will take deep dives into how each department handled the creation of materials, textures, models, set dressing and lighting across the entire city of Manhattan, and how all of these assets came together.” The artist discussed how they leveraged techniques and technologies such as Substance Designer, and how their in-house tools evolved throughout the project.

The session was led by Ryan Benno who is a Senior Environment Artist with over 10 years of experience working in the games industry. The artist has spent 5 years at Insomniac Games (previously worked at Infinity Ward and Telltale Games on the Call of Duty and The Walking Dead franchises). He’s also the co-host of The Environment Art Podcast, with Justin Rodriguez. The second host was Brian Mullen, Senior Lighting Artist at Insomniac Games, who was responsible for several missions and cinematics as well as developing the look of the open-world New York City lighting/atmosphere. You will also hear Matthew McAuliffe, a Material Artist at Insomniac Games, who created, updated, and implemented textures and materials for Marvel’s Spider-Man.

The goal of the ClearCut courses is to teach you a solid workflow that is used in the AAA game industry. The first episode covers the process of creating an AAA fire hydrant from start to finish.

Any future updates are included and will be available for download in case they are released. Next episodes are not included.

Check the full description

Contact Emiel Sleegers

Comments

1
Leave a Reply

avatar
1 Comment threads
0 Thread replies
0 Followers
 
Most reacted comment
Hottest comment thread
1 Comment authors
Abdi Kebabdi Recent comment authors
Abdi Kebabdi
Guest
Abdi Kebabdi

Woah, I never knew this much work was needed to create an open world game like this!