02 July 2026 - Flora Yu spoke about her contribution to the Sky: Children of the Light game, detailing how she uses environment design to communicate with players and explaining how she creates emotional and atmospheric spaces with lighting and color balance.

30 June 2026 - Team Clout CEO Max Verehin discussed how ILL uses Unreal Engine 5, body horror, realistic physics, dismemberment, binaural audio, and cinematic pacing to create grounded first-person horror.

30 June 2026 - Flavio Kappelhoff, Director of Business Development at GPORTAL, explains how scalable hosting infrastructure, bare metal servers, and global deployment strategies help multiplayer games handle growth and player demand.

26 June 2026 - Players have more to watch, play, and scroll through than ever. They have less time to give any of it. Lexi Sydow explains why that gap is the real battleground for every game in 2026.

26 June 2026 - Tim Sweeney spoke in defense of smaller studios, arguing that access to AI tools is essential for their survival in an increasingly competitive market.

24 June 2026 - Yasuhiro Nishiyama, a former SEGA game developer and producer and the founder of Get Wrapped Up, spoke with us about the auto battler genre and the studio's upcoming deck-building strategy game SANGOKUSHI BOND, set in the legendary world of the Three Kingdoms.

22 June 2026 - The character's animation started from mocap and was further refined.

22 June 2026 - The director also explains how the team achieves Nanite-comparable visual quality without UE5.

20 June 2026 - It has a lot of options for you to create a game that you like.

19 June 2026 - Developers and industry experts react to Epic’s State of Unreal announcements, from UE 5.8 and UE6 to MCP, AI-assisted workflows, Verse, and the future of Blueprints.