In Jacobello Alberegno's Polyptych of the Apocalypse, a work by the late fourteenth-century Venetian painter, five panels illustrate episodes from the Book of Revelation, or Apocalypse, traditionally attributed to Saint John the Evangelist. The panel of the Vision of Saint John the Evangelist is much larger than the others and this central piece captured the attention of Technical Artist Louise Melin during her visit to the Gallerie dell'Accademia in Venice.
She then decided to recreate the ox, one of the four "living creatures" surrounding God's throne, which the Christian tradition has long connected to Saint Luke, in a 3D project inspired by this painting.