Muhammad Ibrahim presented a personal study of one of his favorite artworks by one of his favorite artists. Centering his process around Houdini and complementing it with Maya, Gaea, Substance 3D Painter, Nuke, DaVinci Resolve, and an ACEScg color workflow, he tried to reimagine the surreal symbolism of Dalí's art through a modern digital production pipeline.
If you're interested in seeing more classic artworks recreated in 3D, we recently spoke with Guanwen Wang about his take on Edmund Blair Leighton's The Accolade: