18 April 2026 - It's disgusting and horrifying, but strangely amazing. Could you imagine this in a video game?

06 April 2026 - Vladislav Kiselev talked about the ice material he created using Substance 3D, explaining how he started by following references, using the Voronoi noise as a foundation, and discussing how he created the snow traces.

30 March 2026 - Ilana Katz shared a new work.

25 March 2026 - Aleksandr Kamenshchikov shared the workflow behind the Unreal Stained Glass - Cinematic project, talking about what inspired it, what he wanted to achieve with the animation, and explaining how he modeled and textured the material.

13 March 2026 - Kevin J. Coulman shared the workflow behind the Moss Stone Study, explaining how he sculpted the rocks, focusing on the form, to then add more details like fissures, and talking about how he placed the moss in the stones.

12 March 2026 - The new release tightens up asset texturing with curve-based painting, smarter masking, rebuilt symmetry tools, and a redesigned interface built around precision, creative freedom, and reusability in a single workflow.

02 March 2026 - Take a look at a mesmerizing work by Juan Carlos Nuño.

20 February 2026 - mqleh shared how they created the Freezing effect, explaining how they used the model of a hand to design the effect, and how they achieved the smooth appearance of the smoke and ice crystals.

06 February 2026 - Ilana Katz joined us this time to talk about the Wall of Faces material, explaining the nodes she used to create the faces and how she managed to achieve a hectic look, but without letting the faces lose shape.

21 January 2026 - Johann Hotzel shared how he created the MeshColliders tool, explaining its purpose, how it works, and the different ways it can be implemented.