Articles
Woodkid on Creating Goliath with Houdini and Substance Tools
Yoann Lemoine shared the production process of the Goliath project he worked on together with Firm Studio.
Author
Ellie Harisova
Published on
Sep 25, 2020
The Yard: 3D Environment Breakdown
Augustas Krivelis broke down the production process of his UE4 scene, The Yard, and talked about work with references, texturing, materials, scene assembly, and more.
Author
Augustas Krivelis
Published on
Sep 24, 2020
How NVIDIA Worked on Textures for Marbles RTX Demo
The NVIDIA team did an interview with the Magazine by Substance and shared its texturing approach in Substance tools for the Marbles RTX Demo.
Author
Ellie Harisova
Published on
Sep 18, 2020
Creating a Space Hydroponics Lab in UE4
Andy Baigent did a breakdown of the sci-fi scene Hydroponics Lab: modeling in 3ds Max, working with Parallax Occlusion Map decals, composition, lighting, post-process, and more.
Author
Andy Baigent
Published on
Sep 10, 2020
Creating a Layered Alley Wall in Substance Designer
Charlie Foreman explained step-by-step how he created a procedural layered wall material.
Author
Charlie Foreman
Published on
Sep 08, 2020
Algae on Stone Material in Substance Designer
Learn how to create complex materials with this pack from Angel Fernandes.
Author
Arti Sergeev
Published on
Sep 08, 2020
Recreating Animal Village Kitchen from The Legend of Zelda
Malwina Czech did a breakdown of her stylized fanart scene talking about texturing in Substance Painter and Designer, lighting and post-process setup in UE4, and more.
Author
Malwina Czech
Published on
Sep 07, 2020
Dreamy Room: Stylized Diorama Breakdown
Kassondra Krahn talked about the production of her beautiful stylized scene Dreamy Room created in Maya, ZBrush, Substance Designer, and UE4.
Author
Kassondra Krahn
Published on
Sep 04, 2020
Alpine Material by Emrecan Cubukcu
Emrecan Cubukcu released a complex new material created in Substance Designer.
Author
Arti Sergeev
Published on
Aug 31, 2020
Alpine Material by Emrecan Cubukcu
Author
Arti Sergeev
Published on
Aug 31, 2020
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