Articles
Creating a Game Asset in ZBrush and Blender
Vasiliy Poryagin shared the complete workflow of creating an elaborate game-ready door in ZBrush, Blender, Substance Painter, and UE4.
Author
Vasiliy Poryagin
Published on
Jul 13, 2020
Polaris MRZR D4: Military Vehicle Production
Sergejs Karpovs talked about the production of his 3D vehicle project Polaris MRZR D4: modeling in 3ds Max and ZBrush, texturing with Substance tools, cloth simulation in Marvelous Designer, detailing, and more.
Author
Sergejs Karpovs
Published on
Jul 09, 2020
Weapon Art: Plasma AKM Production Breakdown
Ilya Vasilenko shared the production details of his gun, Plasma AKM, made for a VR game, discussed his modeling and retopology workflows, and mentioned a few useful tutorials.
Author
Ilya Vasilenko
Published on
Jul 09, 2020
The Last of Us Fan Art: Ellie's Portrait
Massimiliano Bianchini shared the production details of Ellie's portrait, a tribute to The Last of Us Part II: sculpting in ZBrush, skin texturing, grooming, and more.
Author
Massimiliano Bianchini
Published on
Jul 08, 2020
Researcher Robot: Learning Hard-Surface Techniques
Evgeny Romanov did a detailed breakdown of his Researcher Robot project, shared his modeling workflow in Maya, discussed topology in RizomUV, and talked about his approach to learning different 3D software.
Author
Evgeny Romanov
Published on
Jun 30, 2020
Character Art: Tips, Tools, and General Workflow
Mikhail Buleyko discussed his career path in the CG-industry, shared insights into each step of the production, named his favorite software, and talked about future technology.
Author
Michael Black
Published on
Jun 25, 2020
Guts: Sculpting & Texturing Realistic Skin Detail
Gerardo Torres Carrillo talked about his realistic fanart portrait Guts explaining how he worked on skin details, texturing, hair, and lighting.
Author
Gerardo Torres Carrillo
Published on
Jun 24, 2020
Candy: Sculpting in ZBrush & Presentation in Marmoset Toolbag
Tamás Sárffi did a breakdown of his stylized character Candy: sculpting body and hair, minimalistic texturing in Substance Painter, rendering in Marmoset Toolbag, and more.
Author
Tamás Sárffi
Published on
Jun 24, 2020
Working on a Realistic Goblin: Face & Armor Sculpting Workflows
Rodion Vlasov shared the production details of his character art project Stinks But Feels Good made in ZBrush, 3ds Max, and Substance Painter.
Author
Rodion Vlasov
Published on
Jun 23, 2020
Trending Articles
Popular discussions
Ultimate Eye Generator for Substance
Hello! This is amazing! But I would like to know if the generator work...·Anonymous user
Modeling and Texturing an Old CRT TV Prop
Awesome!·Rendy Rendy.gvn
Polaris MRZR D4: Military Vehicle Production
Apsveicu ar panakumiem! ;-)·Juris Perkons
Developing a Ski Open-World Game for Mobile
Thank you for the interview
and for an amazing game experience
T...·Tao Dima
Join Conversation
Join thousands of game designers and keep track of your subscriptions