Props

Bohdan Lvov shared the process of creating the Doctor Who-inspired Marconi Mk III TV camera, discussed telling a story through textures, and showed the rendering approach. 

Jérôme Bussat shared the working process behind the Delivery Bot, explained how the dirt and damages were done, and showed the rendering process. 

The Kevuru Games team has told us how their Weapons Department approaches the creation of realistic weapons, explained why it is more difficult to model sci-fi than realistic weapons, and shared why artists themselves visit a shooting range and learn to shoot.

Íñigo Cebollero shared a short breakdown of the Worn Phone Booth Telefonica, spoke about decal techniques that he used, and discussed the challenges of texturing work.

Zachary Allen shared a short breakdown of the BMW R9T Scrambler Motorbike project, spoke about his creative approach to making game assets, and gave some tips on preparing for building complex models.

Harley Palmer has walked us through the working process behind the 70s Skateboard project, explained how the board was modeled and textured, and shared the rendering setup in Marmoset Toolbag.

Environment Artist at Striking Distance Studios Kevin Le has shared a comprehensive breakdown of the asset creation pipeline behind the studio's recently-released The Callisto Protocol, explained how the interactive fusebox was set up, and discussed the nuances of working in a AAA team.

Jamie Jamieson told us about his workflow behind the Chinese Vase 2 project, spoke about RealityCapture's strength, and gave some tips for beginner photogrammetry artists.

Shashwat Patkar has shared the working process behind the KL-7/T SEC ADONIS project, explained how modeling, texturing, and lighting were done, and shared some tips on creating appealing props.