17 August 2026 - Dragoslav Vugdelija spoke about the Tears in Rain project, explaining how it was influenced by a Blade Runner monologue, how he built metal, glass, and plastic materials, and detailing how he divided the prop into four texture sets.

10 August 2026 - Artem Romanov discussed the workflow behind the Scythe project, explaining how he sculpted the organic "creature" and his approach to stylized PBR texturing and hand-painting the prop.

30 July 2026 - Andrew Stokaliuk spoke about how to create a realistic and detailed weapon, explaining how to tessellate the prop, why and how to separate the model into various texture sets, and detailing how to work on each set to achieve an appealing look.

29 July 2026 - It also includes butterflies!

16 July 2026 - Arkady Nabirenkov broke down the workflow behind his Toxic Cannon project, explaining how he created an Arcane-inspired asset within a real-time game production pipeline and used the Diffuse map to achieve the show's signature style.

10 July 2026 - Alexander Sheynin explained how he created the Nitro Express Checks and Balances Skin for Hunt: Showdown 1896, going over the intricate golden details and showing the material setup.

09 July 2026 - ScansFactory's collection includes scenes and props ranging from ancient and fantasy ruins to abandoned urban environments and more.

08 July 2026 - Mohamed Aziz Setti shared the process behind his first Blender project, explaining how he created a stylized 3D electric guitar prop, including modeling, texturing, adding outlines, a liquid material, and more.

08 July 2026 - ShangYu Wang talked to us about the Elden Ring Glintstone Kris project, discussing Maya blockout, ZBrush high-poly sculpting, and texturing in Substance 3D Painterand, and focusing on the challenges of creating convincing crystal materials.

07 July 2026 - See how Swayam Sontakke modeled and textured crystal swords inspired by League of Legends' Katarina Du Couteau in this breakdown, where the artist showed us how he dealt with UVs and explained how he made lighting play on the crystal edges.