Articles

Claudio Norori talked about the development process behind the upcoming open-world survival game Arctico, discussed the game's art style, and told us how to use lighting to evoke calmness.

A Senior Cinematic Animator Sani Spectra has told us about her becoming an Animator, talked about the Nexus feature in Far Cry 6 she worked on, and explained how she became a mentor at CG Spectrum.

Check out this series of articles to learn everything there is to know about game design documents.

Learn how to organize work within the team and how the Pixonic team changed their approach when they were beginning to work on the War Robots remaster.

Principal Graphics Programmer at People Can Fly Peter Sikachev has discussed game development from a programmer's perspective, shared some thoughts on DLSS and how it helps developers, and explained the difference between older and newer consoles.

An Executive Producer Philip Molodkovets and Tech Team Lead Mikhail Popov have told us about the recent 0.10.10 update of World of Warships, reviewed the new features, and explained how they understand that the game needs an update.

The developers of SWIFT have shared a massive, 2-part breakdown, discussing all the aspects of the game. In the second part, the team has talked about environments, characters, tools they used in production, and more.

The Co-Founder of Clockwork Labs Alessandro Asoni has told us about the studio's upcoming player-driven, procedurally generated MMORPG BitCraft and revealed the development process behind it.

Digital Artist and Game Developer José Tijerín has told us about the character creation process behind his upcoming visual novel Dear Althea and explained why Reallusion's Character Creator was picked as a go-to tool.