Sorry guys, missed this. We'll credit the artist, sorry!
Looks beautiful. Thank you for the information.
Technically, the artist needs to (and does) credit the author of the artwork he referenced and only mention what and where from the character is. Given that, this is a 3d/gaming/technical thingie-ma-jibs website that does not (and probably shouldn't really) reflect on the circumstance of the character itself, but concentrate on creation and techniques used in creation. The name of the character is referenced, but nowhere on the original art the name Sam Riegel is mentioned. As much as critter community is nice and welcoming, this part of "CREDIT THIS OR CREDIT THAT" irritates me. IMHO, Credit is given where credit is due. This 3d model was made with learning purposes only, whereas the original art is being sold. Instead of commenting "GIVE CREDIT" comment "COOL ART OF SAM'S CHARACTER" or "GREAT CRITICAL ROLE ART". All that said, this is an amazing rendition of the original artwork of the character of critical role. As a critter, I love both this piece and the idea of other critter being so talented! Peace, a member of the wonderful critter family.
Check out a 6-part video guide to using ZBrush for the creation of concept art. Pixologic asked Joseph Drust and Andrew Bosley to show the basics of mixing different tools and some crucial points of the production process.
First, meet Joseph Drust and Andrew Bosley. Jump right into ZBrush to use the default ZModeler Brush options for the creation of building structures.
Using 2.5D and its functionality to create an Alpha.
Use the Alpha to create Surface Noise. Render with BPR, convert it to editable geometry and prepare buildings for KeyShot.
Use the ZBrush to KeyShot Bridge and create some render passes from various KeyShot materials.
Manipulate renders and start texturing in Photoshop.
Put the finishing touches on your concept art.